Of course, inflaming Sino-Japanese relations isn’t that hard a thing to do, but this does seem kind of silly.
The makers of “Memoirs of a Geisha” expected to be lauded for creating the first big-budget Hollywood movie with Asian actors in every leading role. Instead, they find themselves defending casting decisions that have inflamed historical tensions between Japan and China.
The English-language film is set in Japan and adapted from the American novel. It stars Chinese actresses Ziyi Zhang and Gong Li, and Chinese-Malaysian actress Michelle Yeoh. They join several Japanese performers, including Ken Watanabe.
For months, the Internet has been filled with vitriolic debate over cultural insensitivity, and Zhang has been denounced in China for her starring role. The arguments boil down to this: A movie about Japanese culture should have a Japanese actress in the lead.
The filmmakers, however, thought that would be shortsighted and discriminatory. Producers Douglas Wick (“Gladiator”) and Lucy Fisher, and director Rob Marshall (“Chicago”), say the casting was an exhaustive, meticulous process that considered acting ability, star power and physical traits.
“Some Japanese actresses didn’t even want to audition, because they couldn’t speak English and were too afraid to try to take it on,” Fisher said.
Marshall said that when Zhang auditioned, she immediately established that she deserved to be the star: “Your hope as a director is that someone comes in and claims the role, says ‘This is mine.'”
The debate is somewhat perplexing considering that actors have been playing characters of different nationalities throughout the history of film.
“When you saw ‘Zorba the Greek,’ and you saw Anthony Quinn play Zorba, was that odd to you because he was Irish and Mexican?” Marshall said. ‘Or when you saw ‘Dr. Zhivago,’ and you saw
Omar Sharif, who’s Egyptian-born, play a Russian, was that something that threw you?”
Yes, very silly indeed. This is theater, with actors and actrssses. Thei own ethnicity is (or should be) irrelevant to the part they play. You don’t need to be ethnic Japanese or Chinese or Jew to play one in a film. Zhang Ziyi shouldn’t be criticized for playing a Japanese if she looks the part and does a good job acting.
But then, when it comes to Japan, logic and common sense are chucked out the window, and raw festering emotions take over. And it looks ever so stupid.
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